“机器 : 系统性地去製造中断与干扰。”
– 吉尔·德勒兹
直线，秩序，地图，座标，轨道，特定的动作，资讯描述，疆限绘製 – 它们是机器的确切部件，用我们的知识来分析複杂的世界。
镜片成就的扭曲观点，随微风和观者触动的偶意变形， 投射的抽象影像 – 它们故意扭曲我们既定的知识体系以求未知。
“以世界为喻的机器” 视觉上持有清晰严谨而互相抵抗的複杂性 – 渴望通过分析达到明确的结论和通过比拟法徜徉于未知。有趣的是团队
用以理解资讯的“机器“到底可否丰富观者的思想语言。
「移动的边界」源自一篇建筑论文，以探讨全球化下不断更新的「边界」定义及国界间之战略性资源开採。透过深化该概念，团队超越边
界二元的理解局限，并延伸到环境地域等多元议论。无论是具体，还是抽象，「边界」都结合了创造和革命的因与果，交织当中的理想和
意愿。
勒•柯布西耶或者尼尔•裡伯斯金都曾通过製作凋塑或机器来抽象地领会/总结自身已知与未知的複杂体会 – 美学，构造，社会与人性的（建
筑）问题。我们的机器建议给观者一个建筑师接近世界的方法，并希望以此引来广泛领域上的讨论。
该作品由建筑师 Karbi,Yuet Chan(K-AAN), Chiu Ning(LAUNCH), Lau Wai Kin(LAUNCH)和多媒体人Andrew Ng(MYTH SIGNS GROUP)联
合设计。它正在二零一三年港深城市/建筑双城双年展展出，展期至二零一四年二月二十三日。
(From the architect)
“A machine may be defined as a system of interruptions or breaks.”
Gilles Deleuze
Straight lines, orders, atlas, coordinates, axis, tracks, tailored movements, information mapping, boundaries drawings – They are the
definite parts of the machine, the multi systems we use to analyze the world of complexity by our affordable knowledge.
Distorted views from magnifying lens, accidental movements such as breezes and interaction with visitors, abstract projections – They
are the gravity to distort the established knowledge systems, deliberate accidences for productive unknown generation.
The world machine holds a clear rigorous aesthetic sensibility of opposing complexities – the tension between eagerness to give definite
conclusions to the known by analysis and eagerness to realize and wander in the unknown by analogy.
“Negotiated edges – one world, different systems” owes its inception to an architectural thesis on boundaries as strategic exploitation
of resources through transnational linkages against the backdrop of globalization. The team further developed the concept by looking
beyond restrictive binaries to the multiplicity of sites and context. The piece is created by Chiu Ning, Karbi, Yuet Chan, Lau Wai Kin and
Andrew Ng. It is currently featured for the 2013 Bi-City Biennale of Urbanism\Architecture in Hong Kong until February 23rd, 2014.
